Minggu, 15 Januari 2012

Calon Arang, / 1927

Calon Arang, 1927

In 1927 the image of the witch was brought to the screen in the first fiction film set on Bali, Calon Arang. Little is known of this film, and no copies survive, but the makers probably had links with the Italians who owned the moving picture theatre in Denpasar, where Charlie Chaplin played on the screen for enthusiastic Balinese audiences. The film Calon Arang was described as a tropical romance featuring palm trees, beachcombers, and 'the inevitable bevy of dusky beauties such as never were seen on land or seas'. This comment tells little about the film, but it does show how conscious the image-makers of Bali were of trying to add depth and respectability to the idea of Bali.

The Rangda (witch-heroine of the Calon Arang story) and the kris dance eventually became the most potent of all the elements of Bali's image, and could be counterpoised to the superficial image of the tropical paradise. The gentle figure of the young female dancer of the Sang Hyang trance dance was balanced by the horrible figure of the witch of Calon Arang. If Dr Krause tried to emphasise harmony and the organic community in his description of Bali, then the Rangda represented the other side of this image, the feeling that lurking under the harmony there were wild forces ready to run amok. The 'Island of the Gods' has also been called 'The Island of the Demons', most notably in a German film shot in 1931, and later in a Dutch novel of 1948.

Little is known of a Dutch film titled Mahasoetji: Van Java's Vulkanengweld en het Wondere Bali made in 1929 by NIFM. However, the next important movie shot in Bali has the most wonderful title of Goona-Goona, An Authentic Melodrama.




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